2011-02-26 18:09:49 UTC
- Isolation. Being cut off from the rest of humanity, with no where and no one to run to, trapped with whatever is terrifying you? Great example is 'The Shining' by Stephen King, which is (for me) the definitive isolation horror.
- Inexplicable events. Weird things going on that you can't put your finger on. They can be wildly obvious, like zombies jumping out of the dark and eating your brains, or subtle, like the sensation of being watched or things moving about. Pretty much every horror story I've read had these.
- Shock tactics. You can't scare your readers unless you shock them with something. A sudden death, a body, or even a realization that not all is as it seems is enough, most of the time.
- Abnormality. There has to be something fundamentally wrong with it all.
- A bad ending. Might just be me, but I don't really like horror stories that have happy endings. There has to be a high body count, and no one gets away without some kind of loss. The characters are thoroughly disturbed for the rest of their days and have to endure years of painful therapy to get over it.
- Foreshadowing. The queasy feeling in the pit of your stomach when you know something bad is going to happen. Sort of a sub genre of inexplicable events, but you have to have an inkling that whatever is going down is not good.
- The good guy dies. The good guy isn't necessarily the main protagonist, either. He or she can be the character the other characters admire and like, which lulls the reader into the false sense of security that this person will lead all the characters to safety and they will all get home before dinner. This person has to die because it throws the other characters off, hence it throws the reader off.
- All bets are off. It should not be predictable. Vampires swarming your isolated mountain village? You and the remaining survivors are slicing and dicing your way through forest to try and reach the town. There is a final confrontation. Who wins? No one, because the military storms in and shoots every living thing within a ten mile radius. Or the vampires do, and the main character is dragged kicking and screaming to his or her death - or his he/she?
- Openings for sequels. Either leave the back door open or keep it closed. If the story finished with the head vampire beheaded and all it's minions turned to dust, then that should be it because the protagonists won. If the story finished with the protagonist separated from his/her friends in a darkened wood, when hands suddenly grab him/her from behind and the blood is slowly drained from his/her body, there would ideally be a sequel (at least for me) because I want to know what happened to the character. Provided they don't become an emo vampire.
Sorry about the vampire motifs. I just finished watching Shiki (really awesome anime).